nurtured in the rich musical soil of Detroit '

Under the influence of Kraftwerk, Derrick May, Juan Atkins, Jeff Mills, Chicago and Italian house music and the radio icons of the Electrifyin' Mojo and WBMX/Chicago, Stacey Pullen was nurtured in the rich musical soil of Detroit in the mid 80's. Inspired by the mystical epicentre of the techno earthquake, the music institute, Stacey began spinning at local venues and underground parties only to chuck it for a short two years to pursue a collegiate career.

Drawn back by what he knew was his destiny, Stacey followed the voice of his muse, releasing his ritual beating system under the alter ego known as Bango. The full resonant tribal percussion of that release opened the musical minds of others who later followed with tribal dance tracks of their own. So the legacy was passed on to the next generation. Similar to the innovators that came before him, Stacey's first release was a big sound influencing others throughout the world.

After working on remixing projects and accumulating releases on KMS Records, Eclipse Records, BMG/Ariola, Buzz, Pias/Belgium, R&S, Warner, Virgin, and Transmat Records, to name a few, Stacey has been in demand all over the world mixing magic on the dance floors to countless fans. His exotic style has taken him all over North America, South America, Europe, Asia, New Zealand, Australia and the Caribbean.

Stacey is currently following in the footsteps of his Detroit brothers by putting his energies into his own vision, Black Flag Recordings. Stacey's new label hopes to separate itself from the other Detroit labels by combining both music and art. Black Flag holds no boundaries in the approach to music as an art form. Each release will be a conceptual artistic endeavour, a concept influenced by famous 80's/90's art house labels. The end result is to use god's gifts to be free, to destroy the enslavement of conformity.